Twenty-four years ago my teacher Washio-sensei founded a yearly exhibition of martial arts called the Shun-Shin-Kai (春心会, or “Heart of Spring Association”), held at the Noh stage of Tokyo’s Yasukuni Shrine, one of the major Shintō shrines in the country. While the shrine itself is the focus of a good deal of controversy (those enshrined there include some convicted of war crimes during the Second World War, which causes a great deal of indignation when high-ranking officials such as the prime minister pay their respects there, especially among the leaderships of other Asian nations that suffered under Japanese rule before and during the war), our Association takes the name of the shrine at face value (“Yasukuni” 靖国 means “peaceful country”), and use the opportunity to both welcome the return of spring and pray for the continued peace of the country.
This year’s exhibition was March 17th; we were fortunate in that the weather cooperated, and had mild, indeed spring-like weather, and even a few early sakura (桜: Japanese cherry) blossoms. Continue reading
From March 8th to 11th I was in Katsuura, Chiba, at the Nippon Budōkan’s research and training facilities there, for the 25th International Seminar of Budō Culture: four days of lectures, symposia, and technical training sponsored by the Budōkan and the Monbukagakushō (文部科学省), or “MEXT”– the incredibly broad-ranging Ministry of Education, Culture, Sports, Science, and Technology. Every year these institutions organize this event and invite foreign practitioners of the traditional Japanese martial arts, as well as Japanese masters and other instructors. The speakers and guest instructors are of the highest caliber.
The Eisei Bunko (永青文庫) archives, in Meijiro-dai, are housed in a large, blockish building with grating on the windows, of a type that can often be seen in private libraries on the estates of former samurai lords, of which it is in fact one. The grounds belonged to the powerful Hosokawa (細川) family for generations. The Hosokawa clan are of particular interest to me, as it was in their hospitality that Miyamoto Musashi spent a large part of his latter years in Kumamoto, Kyūshū. The daimyō Hosokawa Tadatoshi was a particularly close friend; the two practiced various arts together, and Musashi instructed him in swordsmanship, writing for him the Thirty-five Articles on Strategy (兵法三十五箇条). As a major clan, the Hosokawa also maintained an estate in Edo (江戸, now Tokyo), now converted into this archive and museum, and the grounds into the pleasant New Edogawa Park, which slopes down a hill away from the archives and around a pond.
In The Five Rings, there is a section entitled “Becoming the Adversary”, in which Miyamoto Musashi writes that “…you should think of yourself in the place of the opponent.”
It’s an often-used trope in detective movies and TV shows that “to catch a criminal, you have to think like a criminal”. This is certainly one form of “becoming the adversary”.
However, Musashi writes specifically about this in situations when your opponent seems to be in a position of power: “…if you convince yourself that the enemy is strong, you will think it a very serious matter to attack them.” An army barricaded in a castle may seem, from outside, to hold a position of strength, but in fact they are trapped. They have limited supplies, and replenishments could be cut off at any time.
“OK,” you may think, “I’m not a detective, and I’m not laying any sieges these days. What’s this ‘becoming the adversary’ got to do with me?”